Movement · posture and moving
Travelling
進退 · しんたいShintai
How a judoka covers ground: forward, backward and sideways, while holding a posture and a grip. There are two ways of stepping. Ayumi-ashi is ordinary walking, one foot passing the other. Tsugi-ashi is successive stepping, where the same foot always leads and the other follows without passing it, which is how kata is walked and how most of contest is moved. Suri-ashi, sliding the feet without lifting them, runs through both.
Key points
- In tsugi-ashi one foot never passes the other, so your stance never crosses and never opens
- The feet slide rather than lift: a foot in the air is a foot that can be reaped
- Ayumi-ashi covers ground faster and is worth more risk; tsugi-ashi is safer and is what kata uses
Step by step
Left-handed: these steps use the standard right-handed form. Swap every left and right.
- Stand in natural posture. Walk forward four paces in ayumi-ashi, ordinary steps, each foot passing the other as it would in the street. Notice that halfway through each step your feet are together and your base is briefly narrow.
- Now tsugi-ashi forward, tsugi-ashi de deru. Slide the front foot forward, then slide the back foot up behind it by the same distance. The back foot never passes the front. Repeat four times and notice your stance is identical at the end of every step.
- Tsugi-ashi backward, tsugi-ashi de sagaru. Slide the rear foot back first, then bring the front foot back to match. Leading with the rear foot is what keeps you from crossing your legs going backwards.
- Tsugi-ashi sideways, tsugi-ashi de yoko ni ido. Slide the leading foot out, then draw the other after it. Work six paces one way and six back.
- Do all of it in suri-ashi, sliding the soles along the mat rather than picking the feet up. A dragged foot cannot be swept.
- Finally, take a grip with a partner and travel together: forward, back and sideways, both of you keeping posture and distance. One leads and one follows, then swap. This is the movement every foot technique is timed against.
From the other side
Following is the harder half. Match your partner's distance rather than their speed, and keep the grip at a constant length so neither of you is pulled off balance by the travelling itself. If you find yourself lunging to keep up, they are moving further than you are, and that gap is exactly where an attack would arrive.
VI judo notes
This is a skill VI judoka often do better than sighted ones, because it is about the feet and the grip rather than about looking. Suri-ashi in particular gives constant information: a sliding foot reads the mat, finds the edge, and tells you where you are without anyone announcing it. Practise the whole thing in contact, and use the mat edge deliberately as a reference so travelling and knowing where you are become the same habit.
How it is taught elsewhere
Ministry of Education, Culture, Sports, Science and Technology has published guidance on this. Choose whose to show under Organisations' own guidance on My progress.
Ministry of Education, Culture, Sports, Science and Technology · Japan
This guidance was written for compulsory school physical education in Japan, not club instruction, and is taught to a whole class, including everyone who did not choose judo. Its teaching stage does not indicate how difficult the technique is.
(2) Advancing and retreating movements
In judo you apply techniques and defend against the opponent's techniques while moving, so it is important to move while keeping your own posture stable. The basic ways of walking in these advancing and retreating movements are tsugi-ashi (following foot) and ayumi-ashi (walking foot). In doing so, using suri-ashi (sliding foot) makes the posture stable.
Printed page 94
Tsugi-ashi
Rather than one foot passing the other as you walk, you walk by bringing one foot up to follow the other.
Printed page 94
Ayumi-ashi
Mainly a way of walking forward and backward; the ordinary way of walking, stepping out alternately with the left and right feet.
Printed page 94
Suri-ashi
Move with the heels floating slightly, as if sweeping the soles of the feet across the tatami.
Printed page 94
Practice 1 Experiencing the feel of the yoko-ukemi (side breakfall) when thrown (reversed yoko-ukemi)
Uke keeps the right leg that has been stepped out floating, falls backward and takes the yoko-ukemi.
Printed page 107
Point
Once students are used to it, have tori sweep uke's floating right foot with the left foot; this makes the feel of the side breakfall in an actual throw easier to grasp.
Printed page 107
Point
While breaking uke's balance to the rear, tori grips uke's wrist firmly and lets uke take the side breakfall safely.
Printed page 107
Point
By repeating the practice of falling with one leg swung up, students become proficient at the breakfall to the rear. Be sure to practise the breakfall on both the left and the right.
Printed page 107
Point
When uke swings the right leg up, uke uses the left foot as a support, bends the knee, comes into a low posture and takes the breakfall.
Printed page 107
The pages this is taken from
From School Physical Education Practical Instruction Materials No. 2 (Third Revised Edition): Guide to Teaching Judo, published by Ministry of Education, Culture, Sports, Science and Technology (MEXT), Japan. Page images are reproduced from that document.
Plain text version of this page: no markup and no navigation, for a braille display, a printout, or an offline copy. Any page address here takes .txt the same way.